Olav Fartein Valen (25 August 1887 – 14 December 1952) was a Norwegian composer, notable for his work in atonal polyphonic music. He developed a polyphony similar to Bach's counterpoint, but based on motivic working and dissonance rather than harmonic progression.
Valen was born in Stavanger, Norway in 1887 into a deeply Christian religious family and maintained his religious beliefs all his life. His parents were missionaries, and he spent five years of his childhood in Madagascar. In addition to his aptitude for music, he was also a polyglot, mastering at least nine languages. He earned his examen artium with the highest grades in all subjects except mathematics. He loved cats, nature and literature, cultivated roses (even developed an award-winning hybrid), and after losing them in a devastating freeze took up growing cacti.
In 1906, Valen moved to Kristiania (today's Oslo) to study Norwegian literature and language but also took classes with Catharinus Elling (1858–1942) at the Oslo Conservatory of Music, graduating with a degree in organ playing. In 1909 he moved to Berlin to study piano, theory, and composition at the Music Academy with (amongst others) Max Bruch. While in Berlin, he worked on exercises in both tonal and atonal counterpoint.
In 1916, he returned to Norway and took up residence at his family estate with his mother and sister in Sunnhordland where he started the most productive phase of his career, churning out more than 25,000 piano etudes (though they are not among his official works), while continuing to refine his own dissonant counterpoint. The counterpoint has similarities to that of J.S. Bach and Arnold Schoenberg, though evidence reveals that they were developed independently.
After his mother's death, Valen traveled to Rome and Paris during the 1920s, gaining much inspiration from the wealth of art and architecture there. His work became more controversial among many conservative critics, much to Valen's disappointment. In 1924 he returned to Oslo, and from 1927 to 1936 he worked as a musical archivist at the University of Oslo. In 1935 the government gave him a semi-permanent grant for composers. He quit teaching and moved back to Sunnhordland into the care of his sister and began to compose full-time.
After 1948, his work began to gain greater recognition, both within Norway and outside. Among others, pianist Glenn Gould became a great admirer of Valen and wrote in a letter to Jane Fiedman of CBS Records at the time of his recording of Valen's Piano Sonata no. 2, "I really do feel, for the first time in many years, that I've encountered a major figure in 20th century music". Valen never married. He died in 1952 in Haugesund.
(Wikipedia)
Please take note that the audio AND sheet music ARE NOT mine. Feel free to change the video quality to a minimum of 480p for the best watching experience.
Original audio: Anders Eidsten Dahl (Lawo Classics, 2009)
(https://www.youtube.com/watch?v=2GC4delvNEo)
(https://www.youtube.com/watch?v=pTeJxVyg2mM)
Original sheet music: imslp.org/wiki/Prelude_and_Fugue%2C_Op.33_(Valen%2C_Fartein) (Harald Lyche & Co's Musikforlag, 1948)
Valen was born in Stavanger, Norway in 1887 into a deeply Christian religious family and maintained his religious beliefs all his life. His parents were missionaries, and he spent five years of his childhood in Madagascar. In addition to his aptitude for music, he was also a polyglot, mastering at least nine languages. He earned his examen artium with the highest grades in all subjects except mathematics. He loved cats, nature and literature, cultivated roses (even developed an award-winning hybrid), and after losing them in a devastating freeze took up growing cacti.
In 1906, Valen moved to Kristiania (today's Oslo) to study Norwegian literature and language but also took classes with Catharinus Elling (1858–1942) at the Oslo Conservatory of Music, graduating with a degree in organ playing. In 1909 he moved to Berlin to study piano, theory, and composition at the Music Academy with (amongst others) Max Bruch. While in Berlin, he worked on exercises in both tonal and atonal counterpoint.
In 1916, he returned to Norway and took up residence at his family estate with his mother and sister in Sunnhordland where he started the most productive phase of his career, churning out more than 25,000 piano etudes (though they are not among his official works), while continuing to refine his own dissonant counterpoint. The counterpoint has similarities to that of J.S. Bach and Arnold Schoenberg, though evidence reveals that they were developed independently.
After his mother's death, Valen traveled to Rome and Paris during the 1920s, gaining much inspiration from the wealth of art and architecture there. His work became more controversial among many conservative critics, much to Valen's disappointment. In 1924 he returned to Oslo, and from 1927 to 1936 he worked as a musical archivist at the University of Oslo. In 1935 the government gave him a semi-permanent grant for composers. He quit teaching and moved back to Sunnhordland into the care of his sister and began to compose full-time.
After 1948, his work began to gain greater recognition, both within Norway and outside. Among others, pianist Glenn Gould became a great admirer of Valen and wrote in a letter to Jane Fiedman of CBS Records at the time of his recording of Valen's Piano Sonata no. 2, "I really do feel, for the first time in many years, that I've encountered a major figure in 20th century music". Valen never married. He died in 1952 in Haugesund.
(Wikipedia)
Please take note that the audio AND sheet music ARE NOT mine. Feel free to change the video quality to a minimum of 480p for the best watching experience.
Original audio: Anders Eidsten Dahl (Lawo Classics, 2009)
(https://www.youtube.com/watch?v=2GC4delvNEo)
(https://www.youtube.com/watch?v=pTeJxVyg2mM)
Original sheet music: imslp.org/wiki/Prelude_and_Fugue%2C_Op.33_(Valen%2C_Fartein) (Harald Lyche & Co's Musikforlag, 1948)
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